Everything is in the title ...
Sometimes I wonder if slow languorous, the rustling, looks and silences, so beautifully lit and beautiful actors, haunting music and breathtaking stills are enough to make a movie. Because of this film, I am tempted to answer yes.
The best sequence is perhaps the last, where a man says to the stone of a temple the secret of his life under the gaze of a child-monk ...
I correct post my comment ready misunderstanding In the Mood for Love certainly is not, as I seem to suggest, simply a film aesthetic, it's a nice story, but whose main events are cleverly hidden, relegated to silence, Voiceover, "hollowed" ... Maybe Wong Kar Wai wishes he reminds us that much of a story is not the facts themselves, but in these explosions that imperceptible rise in every sentient being?
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