Is There A Fogger To Get Rid Of Mise

cry


I thought all the harm possible Kounen, because of the reputation of Dobermann (that of a movie 'mode', violence and gratuitous aesthetic) that I had not even seen. I vaguely knew, because of a feature film later, Blueberry (not seen), his personal journey had gone through shamanism. I had no idea he had done during one year, repeated experiments of altered states of consciousness, guided by a shaman Shipibo, Questembetsa, Peru.
other worlds the film he shot this year is less a documentary about the shamanistic practices (as such, it would be disappointing) that the story of an intimate experience, extreme and founder - narrative whose sincerity touched me deeply (through this experience, including Kounen said, "I realized that I had never lived in my body and I was never out of childhood "I quoting from memory, and those who know me know how this sentence could question me! He also speaks through the looking glass and experience closeness with death).
Ayahuasca hallucinogenic properties, has allowed the director to explore new territories inland to confront his fears, to shatter its old landmarks, its false certainties, and restructure a new way: Event of beauty and violence similar to those of a new birth.

One of those interviewed in the documentary Kounen highlights how Western rationalist denigrates these magical practices. We must recognize that, in many ways, I myself am extremely Western, rationalist (but I treat myself): Nothing makes me more afraid that people deserted by reason (it is "the Sleep of Reason Produces Monsters "by Goya), and I am also afraid when I feel myself to spend" wing of madness! But this fear is cohabiting with me (I believe it) with a strong curiosity about the unseen, a taste for monsters, and the undeniable temptation sinkholes.
The same speaker (I think it's the same) also emphasizes how to organize itself over time, the churches, they also moved away from such practices "magic". Indeed, with regard to Christianity, when we consider the origins of mystical experiences or those of the Middle Ages (all these cries, swoons, these spasms, these ecstasies, these tears, the agony!), One wonders how we could arrive at demonstrations of faith as warm and civilized than today (this reflection does not come to me by random: it is that I'm re-reading old notes devoted to the "mystic art" in the Middle Ages, but I will come back here, no doubt) ...